Maghraman| (Sheedi black instrument)
Maghraman| (Sheedi black instrument)
Maghraman| (Sheedi black instrument) From the beginning, blacks had a passion for rhythm, or, to put it another way, their natural attachment to music. Maghreman is an ancient tool of blacks; today's talk is about this tool.
Maghraman| (Sheedi black instrument) Maghram is actually an African word. The
meaning of which is narrated from our elders that "caller, caller,
joiner" means it. In fact, whenever the beat of a magrman resounds.
As far as its sound reaches from far and wide,
whoever is hear, leaves all his work and comes close to the maghrman, that voice
attracts everyone.
Dhol has a
special place in the life of the Shades. and especially they have a spiritual
bond with the beat of Maghram. The enmities dissipate and all the people get
together and Loved in a mysterious series.
Especially on festive or happy occasions.on
moonlit nights, Maghram is played by the Brazilian sheedi "Berimbau".
Its rhythm is very similar to Maghram and it is also played standing up.
Similarly,
the Caribbean Shaidis call it "Bata". and play it at various
festivals. In India, our Shaidis play it on the occasion of Baba Ghor's Urs.
They associate four drums with Maghram called
Mosenda and Jalpa. There must be four of them. Besides, when the rhythm of the
plains rings, the drums.
There are three numbers, one of which is
called Rahmani and the other two are called Qaisar. The Brazilian Shadi also
uses three drums to play "Utaba ko", in which the big drum is called
"Rum", the middle drum is called "Rum Pi" and the small
drum is called Li.
In the African country of Zanzibar, regular
music is played. In Sudan, there is a large-scale dahmal called Sufi dance. which
they mention. Their rhythm is similar to that of Dahamal here in which there is
not even the slightest difference.
There is a
kind of emotional state in the rhythm of the magharman. or the butt that plays
with it and this sound is prominent in other playing instruments along with it.
The songs we call adjectives have a special
effect on them. There are three main types of magharman rhythms. The first of
which is the keto werhu, which consists of three rhythms in the classical style.
And requires considerable skill to play.
Not everyone can play this rhythm, it requires
exercise. What is mentioned in this rhythm is called maui. And this maui
consists mostly of questions and answers. It also includes many manqabs.
The second type (lus) is simple rodham which
is also commonly called plain. Due to its simplicity, this rhythm is played in
the Tarbiya pattern, which is more playful.
In this style, dhikr is mentioned first, and
later songs of happiness also become a part of it. So when this style reaches
its peak. All the sheede are associated with a state of consciousness.
The third type of style, commonly called
Dhammal. is considered to be the mother of the Leva style. There are many
similarities between the way it is played.
The sim of
Dahmal is found in the same way in every way. The mention of Dahmal is in
Swahili, Sindhi, Urdu. which are late in understanding due to the accent.
Along with
Maghram, there are other instruments in which "Nafil". which
is made of a seashell. Malunga is a star-like instrument played by our
Shadi brothers in India.
Egypt is like Jhan Jhan which is called
Shekher in English. There is a slight difference in the rituals of Shaidi
Dahamal in Karachi and Sindh but the series is the same.
Internal Sindh also plays Dahamal in Rajab and
Sha'ban. Nafil is usually played at shrines by the Malang-type people. Seeing
this, the idea of shahnai emerged. which is used with great skill, especially
by Zanjabari. while the charm of his voice attracts him and his tone is a
melody of unity.
Black people of the past and present
Samia Hassan Soho is the first female president of Tanzanian
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